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Thursday, July 15, 2004

Whoring Out the Troops

Posted by Lee on 07/15/04 at 08:17 PM

On July 13 I posted an article about one military family who is sickened that footage of their loved-one’s funeral ended up in Michael Moore’s hate-America fest of a film.  There was some speculative discussion in the comments about whether or not the family gave consent for that footage to be used by Moore.  Well, there’s another veteran who isn’t too happy about being pimped out by Moore, and the article about him contains quite a bit of info about licensing and consent of these types of images.

For all his constant wailing about how much he respects and supports out troops, Michael Moore sure likes to whore them out every chance he gets, doesn’t he?

Local soldier surprised to appear in Moore movie
By Jennifer Kovalich, Enterprise staff writer

BROCKTON — Army reservist Peter Damon, the Brockton soldier who lost parts of both arms in the war in Iraq, was surprised to find out recently that he appears in the scathing anti-war film, “Fahrenheit 911,” his wife said Wednesday.

A brief film clip of the hospitalized National Guardsman talking to an off-camera interviewer is shown in Michael Moore’s documentary, which won the prestigious Palme d’Or prize at the Cannes Film Festival in May.

“He’s in there,” his wife, Jennifer Damon, said. “I saw it and I told him that he should probably go see it too.”

Peter Damon lost his right arm near the shoulder and his left arm above the wrist when a tire he was helping change on a Blackhawk helicopter exploded in Balad, Iraq, on Oct. 21. He now is recuperating at the Walter Reed Army Medical Center in Washington, D.C.

Jennifer Damon said neither she nor her husband knew film footage of him would be used in Moore’s film. “Prior knowledge? No,” she said.

Peter Damon planned to see “Fahrenheit 9/11” today and declined comment until afterward.

The footage of Damon was taken from an interview he granted earlier this year to NBC Nightly News.

In the clip, Damon, with his injured arms in bandages, appears on screen for less than half a minute speaking to an unidentified off-camera interviewer. Moore does a voice-over commentary introducing that part of the film.


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